Benjamin Ressi

[DE] Benjamin Ressi arbeitet an der Schnittstelle von Grafik-, Motion- und generativem Design. Vor allem interessieren ihn flexible visuelle Systeme, Typografie und generatives Design, im Kontext ästhetischer Untersuchung zeitgenössischer Themen.

Die Faszination für Grafik Design besteht in der experimenteller Suche nach ästhetischen visuellen Lösungen. Besonderer Fokus seiner Arbeiten liegt darin visuelle Systeme durch Generatives Design vielseitig einsetzbar zu machen und Grafik Design sinnvoll interdisziplinär zu denken. Denn mit der rasant wachsenden Technisierung erhöhen sich nicht nur die Möglichkeiten, sondern auch die Notwendigkeiten, diese im aktuellen Kontext kritisch zu hinterfragen und darauf zu achten, dass technologischer Fortschritt auch tatsächlich innovativ und nachhaltig eingesetzt wird.

[EN] Benjamin Ressi works at the intersection of graphic, motion and generative design. He is particularly interested in flexible visual systems, typography and generative design in the context of the aesthetic investigation of contemporary topics.

His fascination for graphic design lies in the experimental search for aesthetic visual solutions. A particular focus of his work is to make visual systems more versatile through generative design and to think about graphic design in an holistic and interdisciplinary way. This is necessary because the rapid growth of technology not only increases the possibilities, but also the need to critically question them in the current context and to ensure that technological progress is actually used in an innovative and sustainable way.

Visual mission


„Erinnerungsschock“ ➊

[DE] Für Platon sind momenthafte eingehende Erfahrungen die Folge der erinnernden Verbindung mit dem Reich der Ideen: “Platon zufolge löst der Anblick des Schönen einen Erinnerungsschock aus, der den Schauenden aus seinen Normalansichten von der trivialen Ding- und Personenumwelt heraussprengt. Inmitten Tausender alltäglicher Anblicke von Zeug, von Menschenkörpern, von Umständen, leuchten in auserwählten Augenblicken Gestalten auf, die der Seele bezaubernd nahegehen. In der Unruhe über solche Anblicke fühlt sich der Sehende wie auf eine andere Bühne transportiert. Er spürt, daß in der gegenwärtigen Erscheinung, sei es ein Menschengesicht oder ein Kunstwerk, ein Ur-Anblick nach ihm greift und ihn der Alltäglichkeit entzieht.” — Sloterdijk, Peter, Sphären I: Blasen, Frankfurt/M. 1998: Suhrkamp, S.143f.

[EN] For Plato, momentary experiences are the result of a reminiscent connection with the realm of ideas: According to Plato, the sight of beauty triggers a shock of memory that tears the observer out of their normal views of the trivial world of things and people. In the midst of thousands of daily encounters with objects, humans, or circumstances there are moments when certain forms shine forth, captivating the soul. In the restlessness stirred by such visual encounters, the observer feels as if transported to another stage. They sense that within the present appearance – whether it be a human face a work of art or design – an archetypal image is reaching out to them, pulling them away from the ordinary. — Sloterdijk, Peter, Spheres I: Bubbles, Frankfurt/M. 1998: Suhrkamp, pp. 143ff. (freely translated)

Services


Graphic Design, Motion Design, Generative Design, Art Direction, Poster, Layout, Visual Identities, User Interfaces, Websites



Experience


2020–today


Freelance, Visual Communication


2020


No.Odds, Motion Design


2019


nulleins™ brand creation, Graphic Design


2018–2020


TEDxLend, Organizer & Curator



Education


2022–2024

M.A. Visual communication, University of Applied Sciences Potsdam
Master thesis: Artificial Synesthesia


2016–2020

B.A. Information design, University of Applied Sciences Joanneum Graz
Bachelor thesis: How long is now?


2015–2016


Philosophy, University of vienna



Selected clients


032c, ASZENBERGER ET AL, No.Odds, TEDxLend, Infoscreen, Campari Deutschland, KaDeWe, Supercontinent, LeBerg, Innovaze, OY Solutions, OktoTV



Features


2021


Why Designers never sleep


2020


Red Dot Designjahrbuch


2019


Dotter Magazin


2019


Annenpost



Exhibitions


2023


Drängende Gegenwart, Landtag Brandenburg, Potsdam


2021


The designer next to you, Designforum Steiermark, Graz


2021


Winners Red Dot Award, Red Dot Design Museum, Essen


2019


First there is Dotter, Designforum Steiermark, Graz

Legal

Imprint ➊

Information according to § 5 Para. 1TMG (German Telemedia Act):

Benjamin Ressi
Metzer Straße 40
10405 Berlin

The e-mail address and phone number can be found above with the contact information.

Liability for Contents
As service providers, we are liable for own contents of these websites according to Paragraph 7, Sect. 1 German Telemedia Act (TMG). However, according to Paragraphs 8 to 10 German Telemedia Act (TMG), service providers are not obligated to permanently monitor submitted or stored information or to search for evidences that indicate illegal activities.

Legal obligations to removing information or to blocking the use of information remain unchallenged. In this case, liability is only possible at the time of knowledge about a specific violation of law. Illegal contents will be removed immediately at the time we get knowledge of them.

Liability for Links
Our offer includes links to external third party websites. We have no influence on the contents of those websites, therefore we cannot guarantee for those contents. Providers or administrators of linked websites are always responsible for their own contents.

The linked websites had been checked for possible violations of law at the time of the establishment of the link. Illegal contents were not detected at the time of the linking. A permanent monitoring of the contents of linked websites cannot be imposed without reasonable indications that there has been a violation of law. Illegal links will be removed immediately at the time we get knowledge of them.

Copyright
Contents and compilations published on these websites by the providers are subject to German copyright laws. Reproduction, editing, distribution as well as the use of any kind outside the scope of the copyright law require a written permission of the author or originator. Downloads and copies of these websites are permitted for private use only. The commercial use of our contents without permission of the originator is prohibited.

Copyright laws of third parties are respected as long as the contents on these websites do not originate from the provider. Contributions of third parties on this site are indicated as such. However, if you notice any violations of copyright law, please inform us. Such contents will be removed immediately.

Get in touch


+49 176 45703614
mail@benjaminressi.com
Instagram: be.n_here

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[DE] Für Platon sind momenthafte eingehende Erfahrungen die Folge der erinnernden Verbindung mit dem Reich der Ideen: “Platon zufolge löst der Anblick des Schönen einen Erinnerungsschock aus, der den Schauenden aus seinen Normalansichten von der trivialen Ding- und Personenumwelt heraussprengt. Inmitten Tausender alltäglicher Anblicke von Zeug, von Menschenkörpern, von Umständen, leuchten in auserwählten Augenblicken Gestalten auf, die der Seele bezaubernd nahegehen. In der Unruhe über solche Anblicke fühlt sich der Sehende wie auf eine andere Bühne transportiert. Er spürt, daß in der gegenwärtigen Erscheinung, sei es ein Menschengesicht oder ein Kunstwerk, ein Ur-Anblick nach ihm greift und ihn der Alltäglichkeit entzieht.” — Sloterdijk, Peter, Sphären I: Blasen, Frankfurt/M. 1998: Suhrkamp, S.143f.

[EN] For Plato, momentary experiences are the result of a reminiscent connection with the realm of ideas: According to Plato, the sight of beauty triggers a shock of memory that tears the observer out of their normal views of the trivial world of things and people. In the midst of thousands of daily encounters with objects, humans, or circumstances there are moments when certain forms shine forth, captivating the soul. In the restlessness stirred by such visual encounters, the observer feels as if transported to another stage. They sense that within the present appearance – whether it be a human face a work of art or design – an archetypal image is reaching out to them, pulling them away from the ordinary. — Sloterdijk, Peter, Spheres I: Bubbles, Frankfurt/M. 1998: Suhrkamp, pp. 143ff. (freely translated)
Visual mission:
„Erinnerungsschock“ ➊